It’s the work of a young artist, one struggling to find exactly what he’s supposed to say and the usefulness of his voice. It’s a struggle to properly pin down Goblin. It’s bleak to the extreme, uncomfortable and awkward and populated with terrible, violent imagery. Upon one’s first listen, I would struggle to say one would want to listen again anytime soon. On the other, certain disturbing lines are delivered with such earnestness they can’t be anything other than serious, right? Goblin is an isolating record. On one hand, Tyler often sounds so ridiculous one wonders whether he’s performing some highwire satire act for comedy effect. This is part of the reason why it’s almost impossible to tell when Tyler is being serious. This song introduces us to an inescapable truth: Tyler, the Creator is an amazing producer that fronts as a rapper.
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The beat skids and sings, lightened the grim subject matter and giving an altogether youthful, free air to the song. Where “Radicals” isolates, the stalker tone of “She”-featuring an ever-listenable Frank Ocean-packs a production punch.
“Radicals” is a rambling mess, with a cheeky, light-hearted chorus that chants “Kill people, burn shit, fuck school.” It’s bleak, awkward moments like this that make Tyler’s second album nearly inaccessible to those not already bought into the Odd Future motto. It’s also one of the most important tonal moments in the entire album. These first two tracks on Goblin set a high bar for the rest of album, one it occasionally fails to live up to. “Yonkers” has become the poster song for Tyler, it’s mix of dark narcissism and out-of-nowhere rhyme schemes. He raps, “Green paper, gold teeth, and pregnant gold retrievers all I want/Fuck money, diamonds, and bitches, don’t need ’em,” with grovelled snark, daring you to make fun of his ridiculous bars. This is a 1000-level class introduction to Tyler’s infinite strangeness. The rest of Goblin is an unapologetic burning of hip-hop themes. Following the opener, we have “Yonkers,” which, along with it’s demented music video, launched Tyler to semi-mainstream success. And that’s right about where the sentiment ends. This confessional style says a lot about Tyler, that he has to build an entire concept around speaking to a therapist in order to actually rap about how he feels. In the eponymous opening track, Tyler somberly raps “I wish Thebe was here,” Thebe being his good friend and Odd Future bandmate Earl Sweatshirt, who famously spent a few years in a boy’s reform school in Samoa. TC, an extension of the outsider theme that dominated Bastard. Tyler spends certain tracks talking to his “therapist,” Dr. It is also utterly, unquestionably original, sometimes to a fault.Ī loose concept surrounds Goblin. It is immaturity incarnate, a young provocateur finding his style and testing his limits. It is a record populated by hyper-violence, a loosely structured rambling of anarchy and depravity. It’s also important to note that the young man who dubbed himself Tyler, the Creator was 19-years old when Goblin was recorded. His lyrics are so foul and divisive that entire countries have backlashed. He says as much in Goblin‘s closer “Golden,” referencing his debut mixtape: “Mom works hard, still working on her Master’s/Son lies about, taking classes at community college/Just to record some bullshit he calls Bastard.” He doesn’t like rapping.
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